The Andrew Sisters

LITTLE MISS SUNSHINE · July 26, 2010

The Andrews Sisters were a close harmony singing group, consisting of sisters

LaVerne Sophia Andrews (contralto; July 6, 1911 – May 8, 1967),
Maxene Angelyn Andrews (soprano; January 3, 1916 – October 21, 1995),
Patricia Marie (a.k.a. Patty) Andrews (mezzo-soprano; lead; born February 16, 1918).

All were born in Minnesota to a Greek immigrant father and a Norwegian American mother.^[1]

^{Early history}

^{Patty, the youngest and the}^{lead singer}^{of the group, was only seven when the group was formed, and just twelve years old when they won first prize at a talent contest at the local}^{Orpheum Theatre}ⁱⁿ^Minneapolis^{, where LaVerne played piano accompaniment for the}^{silent film}^{showings in exchange for free dancing lessons for herself and her sisters. Once the sisters found fame and settled in}^California^{, their parents lived with them in a}^Brentwood^{estate until their deaths, and several cousins from}^Minnesota^{followed them west. The sisters returned to Minneapolis at least once a year to visit family and friends and/or to perform.}

^{They started their career as imitators of an earlier successful singing group, the}^{Boswell Sisters}^{. After singing with various dance bands and touring in}^vaudeville^{with the likes of}^{Ted Mack}^,^{Leon Belasco}^{, and comic bandleader}^{Larry Rich}^{, they first came to national attention with their recordings and radio broadcasts in 1937, most notably via their major Decca record hit,}^{Bei Mir Bist Du Schön}^{(translation: To me, you are beautiful),}^[2]^{originally a}^Yiddish^{tune, the lyrics of which}^{Sammy Cahn}^{had translated to English and which the girls harmonized to perfection. It sold a million copies, making them the first female}^{vocal group}^{to achieve a}^{Gold Record}^{award. They followed this success with a string of}^best-selling^{records over the next two years and they became a}^{household name}^{by 1940.}

^{World War II}

^During^{World War II}^{, they entertained the}^Allied^{forces extensively in}^America^{, Africa and}^Italy^{, visiting}^Army^,^Navy^,^Marine^and^{Coast Guard}^{bases, war zones,}^hospitals^{, and munitions factories.}^[3]^{They encouraged U.S. citizens to purchase}^{war bonds}^{with their rendition of}^{Irving Berlin}^{'s song}^{Any Bonds Today?}^{. They also helped}^actors^{Bette Davis}^and^{John Garfield}^found^California^{'s famous}^{Hollywood Canteen}^{, a welcome retreat for}^servicemen^{where the trio often performed, volunteering their personal time to sing for and dance with}^soldiers^,^sailors^and^Marines^{(they did the same at}^{New York City}^'s^{Stage Door Canteen}^{during the war). While touring, they often treated three random servicemen to dinner when they were dining out. They recorded a series of Victory Discs (V-Discs) for distribution to}^Allied^{fighting forces only, again volunteering their time for studio sessions for the Music Branch, Special Service Division of the Army Service Forces, and they were dubbed the "Sweethearts of the}^{Armed Forces Radio Service}^{" for their many appearances on shows like "Command Performance", "Mail Call", & "}^G.I.^{Journal." Perhaps only}^{Bob Hope}^{and his troupe did more to entertain the troops.}

^{Career interruption}

^{The Andrews Sisters broke up in 1953, the main catalyst being Patty's decision to go solo, with her husband acting as her agent. When Maxene & LaVerne learned of Patty's decision from newspaper}^{gossip columns}^{rather than from their own sister, it caused a bitter two-year separation, especially when Patty decided to worsen matters by suing LaVerne for a larger share of their parents' estate.[}^{citation needed}^{] Maxene and LaVerne tried to continue the act as a duo and met with good press during a 10-day tour of}^Australia^{, but a reported}^suicide^{attempt by Maxene in December, 1954}^[4]^{put a halt to any further tours (Maxene spent a short time in hospital after swallowing 18 sleeping pills, an occurrence that LaVerne told reporters was an accident).}

^{The trio reunited in 1956. They signed a new recording contract with}^{Capitol Records}^{(for whom Patty had become a featured soloist) and released a dozen singles through 1959, some}^{rock-and-roll}^{flavored and not very well received, and three}^hi-fi^{albums, including a vibrant}^LP^{of songs from the dancing 1920s with}^{Billy May}^{'s orchestra. In 1962, they signed with}^{Dot Records}^{and recorded a series of}^stereo^{albums over five years, both re-recordings of earlier hits, as well as new material, including "}^{I Left My Heart In San Francisco}^{", "}^Still^{", "}^{The End of the World}^",[^{disambiguation needed}^{] "}^{Puff the Magic Dragon}^{", "}^Sailor^{", "}^{Satin Doll}^{", the theme from}^{Come September}^{, and the theme from}^{A Man and a Woman}^{. They toured extensively during the 1960s, favoring top nightclubs in}^{Las Vegas, Nevada}^,^California^and^{London, England}^.

^{The act came to an abrupt end in 1967 when eldest sister LaVerne died of}^cancer^{after a year-long bout with the illness,}^[5]^{during which she was replaced by singer Joyce DeYoung. LaVerne had founded the original group, and often acted as the peacemaker among the three during the sisters' lives, more often siding with her parents, to whom the girls were extremely devoted, than with either of her sisters. Once she was dead, Maxene saw no need to continue as a duo (she taught acting, drama, and speech at a}^{Lake Tahoe}^{college and worked with troubled teens), and Patty was once again eager to be a}^soloist^.^[6]

^Comeback

^{Both surviving sisters had something of a comeback when}^{Bette Midler}^{recorded her own version of their song "}^{Boogie Woogie Bugle Boy}^{" in 1972. Their most notable comeback, however, was in the}^{Sherman Brothers}^{' nostalgic}^{World War II}^musical^{: "}^{Over Here!}^{!" which premiered on}^Broadway^{at the}^{Shubert Theatre}^{in 1974 to rave reviews. This was a follow-up to Patty's success in "}^{Victory Canteen}^{" a 1971}^California^revue^{. The musical starred Maxene and Patty (with}^{Janie Sell}^{filling in for LaVerne and winning a}^{Tony Award}^{for her performance) and was written with both sisters in mind for the leads. It launched the careers of many now notable theater, film and television icons (}^{John Travolta}^,^{Marilu Henner}^,^{Treat Williams}^,^{Ann Reinking}^,^{et al.}^{). It was the last major hurrah for the sisters and was cut short due to a lawsuit initiated by Patty's husband against the show's producers, squashing an extensively scheduled road tour for the company, including the sisters.}

^{Patty immediately distanced herself from Maxene, who claimed until her death that she was not aware of Patty's motives regarding the separation. She appealed to Patty for a reunion, personally if not professionally, both in public and in private, but to no avail. Maxene suffered a serious}^{heart attack}^{while performing in}^Illinois^{in 1982 and underwent}^{quadruple bypass surgery}^{, from which she successfully recovered. Patty visited her sister while she was hospitalized. Now sometimes appearing as "Patti" (but still signing autographs as "Patty") she re-emerged in the late 1970s as a regular panelist on}^{The Gong Show}^{. Maxene had a very successful comeback as a cabaret soloist in 1979 and toured worldwide for the next 15 years, recording a solo album in 1985 entitled "Maxene: An Andrews Sister" for}^{Bainbridge Records}^{. Patty started her own solo act in 1981, but did not receive the critical acclaim her sister had for her performances, even though it was Patty who was considered to be the "star" of the group for years. The critics' major complaint was that Patty's show concentrated too much on Andrews Sisters material, which did not allow Patty's own talents as a very expressive and bluesy vocalist to shine through.}

^{The two sisters did reunite, albeit briefly, on October 1, 1987 when they received a star on Hollywood's famous}^{Walk of Fame}^{, even singing a few bars of "}^{Beer Barrel Polka}^{" for the}^{Entertainment Tonight}^{cameras. Ironically, an earthquake shook the area that very morning and the ceremony was nearly canceled, which caused Patty to joke, "Some people said that earthquake this morning was LaVerne because she couldn't be here, but really it was just Maxene and I on the telephone." Both sisters laughed and shared a hug. Besides this, and a few brief private encounters, they remained somewhat estranged for the last few years.}

^{Shortly after her}^off-Broadway^{debut in}^{New York City}^{in a show called}^{Swingtime Canteen}^{, Maxene suffered another heart attack and died at}^{Cape Cod Hospital}^{on October 21, 1995. Not long before she died, Maxene told music historian}^{William Ruhlmann}^{, "I have nothing to regret. We got on the carousel and we each got the ring and I was satisfied with that. There's nothing I would do to change things if I could...Yes, I would. I wish I had the ability and the power to bridge the gap between my relationship with my sister, Patty."[}^{citation needed}^{] Upon hearing the news of her sister's death, Patty became very distraught. As her husband Wally went to her, he fell on a flight of stairs and broke both wrists. Patty did not attend her sister's}^{memorial services}ⁱⁿ^{New York}^{, nor in}^California^{. Said}^{Bob Hope}^{of Maxene's passing, "She was more than part of The Andrews Sisters, much more than a singer. She was a warm and wonderful lady who shared her talent and wisdom with others."}

^Legacy

^{Instrumental to the sisters' success over the years were their parents, Olga 'Ollie' (née Sollie) Andrews (1886–1948) and Peter Andreas/Andrews (1884–1949); their orchestra leader and musical arranger}^{Vic Schoen}^{(1916–2000); music publishing giant}^{Lou Levy}^{who died only days after Maxene and was their manager from 1937 to 1951 as well as being Maxene's husband from 1941–1949,}^[7]^{and both}^{Jack Kapp}^{(d. 1949) & his brother}^{David Kapp}^{, who founded Decca Records.}

^{Patty Andrews married agent}^{Marty Melcher}^{in 1947, and left him in 1949 when he pursued a romantic relationship with}^{Doris Day}^{(at the time of his death, Melcher left Day in millions of dollars of debt after mismanaging her money for years, unbeknownst to Doris). Patty then married Walter Weschler, the trio's pianist, in 1951. LaVerne married}^{Lou Rogers}^,^[5]^{a trumpet player in}^{Vic Schoen}^{'s band, in 1948, and remained with him until her death (he died in 1995, 5 days after Maxene and 5 days before Lou Levy).}

^{Throughout their long career, the sisters had sold over well over 75 million records (that being the last official count released by}^MCA^{Records in the mid-1970s). The group was inducted into the}^{Vocal Group Hall of Fame}^{in 1998.}

^{LaVerne and Maxene Andrews are interred in the}^{Forest Lawn Memorial Park Cemetery}ⁱⁿ^{Glendale, California}^{with their parents, and room remains in the crypt for Patty if she chooses that as her final resting place.}

^{The Andrews Sisters' recording of "Don't Sit under the Apple Tree" was sampled in}^{Soul Coughing}^{'s song "Down to This" off their album}^{Ruby Vroom}^{. Until the advent of}^{the Supremes}^{, the sisters were the most imitated of all female singing groups, and influenced many artists, including}^{Mel Tormé}^,^{Les Paul & Mary Ford}^,^{The Four Freshmen}^,^{The McGuire Sisters}^,^{The Lennon Sisters}^,^{The Pointer Sisters}^,^{The Manhattan Transfer}^,^{Barry Manilow}^{, and}^{Bette Midler}^{; even}^{Elvis Presley}^{was a fan.}

^{Most of the Andrews Sisters' music has been restored and released in}^{compact disc}^{form, yet over 300 of their original Decca recordings, a good portion of which was hit material, has yet to be released by}^MCA^{/Decca in over 50 years. Many of these Decca recordings have been used in such television shows and Hollywood movies as}^Homefront^,^ER^,^{The Brink's Job}^,^{National Lampoon's Christmas Vacation}^,^{Swing Shift}^,^{Raggedy Man}^,^{Summer of '42}^,^{Slaughterhouse-Five}^,^{Maria's Lovers}^,^{Harlem Nights}^,^{In Dreams}^,^{Murder in the First}^,^{L.A. Confidential}^,^{Just Shoot Me}^,^{Mama's Family}^,^{War & Remembrance}^,^{Jakob the Liar}^,^Lolita^,^{The Polar Express}^,^{The Chronicles of Narnia}^,^{Memoirs of a Geisha}^{, and}^{Bon Voyage, Charlie Brown (and Don't Come Back!!)}^{. Comical references to the trio in television}^sitcoms^{can be found as early as}^{I Love Lucy}^{and as recently as}^{Everybody Loves Raymond}^{. In 2007, their version of "}^{Bei Mir Bist Du Schön}^{" was included in the game}^BioShock^{, a first-person shooter that takes place in an}^{alternate history}^{1960, and later in 2008, Civilization (with}^{Danny Kaye}^{) was included in the 1940s-50s}^{Atomic Age}^{-inspired video game}^{Fallout 3}^.

^{Christina Aguilera}^{used the Andrews Sisters' "Boogie Woogie Bugle Boy" to inspire her song "}^Candyman^{" (released as a single in 2007) from her hit album}^{Back to Basics}^{. The song was co-written by}^{Linda Perry}^{. The London based trio the}^{Puppini Sisters}^{uses their style harmonies on several Andrews Sisters and other hits of the 1940s and 1950s as well as later}^rock^and^disco^{hits. The trio has said their name is a tribute to The Andrews Sisters.}

^{At age 92, Patty Andrews lives quietly in}^{Northridge, California}^{, together with Wally, her husband of over 55 years. In interviews, when granted, she rarely speaks personally of her sisters. When asked about their legendary feuding, she jokes about it and quickly moves on to the next topic.}

^{In 2008 and 2009 the BBC produced a one hour show of the history of the Andrews Sisters from growing up in Mound, Minnesota through the present. The American premier of the show was June 21, 2009 in Mound, Minnesota.}

^{In 2008 Mound, Minnesota dedicated "The Andrews Sisters Trail". They spent summers in Mound with their uncles Pete and Ed Solie who had a grocery store there. Maxene Andrews always said that the summers in Mound created a major sense of "normalcy" and "a wonderful childhood" in a life that otherwise centered around the sister's career.}

^{The Westonka Historical Society has a large collection of Andrews Sisters memorabilia.}

^{Musical innovators}

^{When the sisters burst upon the music scene in the late-1930s, they shook a very solid musical foundation: producing a slick harmonic blend by singing at the top of their lungs while trying - successfully - to emulate the blare of three harmonizing trumpets, with a full big band racing behind them. Some}^bandleaders^{of the day, such as}^{Artie Shaw}^{and his musicians, resented them for taking the focus away from the band and emphasizing the vocals instead. They were in as high demand as the big bandleaders themselves, many of whom did not want to share the spotlight and play back-up to a girl trio.}

^{Nevertheless, they found instant appeal with teenagers and young adults who were engrossed in the}^swing^and^jazz^{idioms, especially when they performed with nearly all of the major}^{big bands}^{, including those led by}^{Glenn Miller}^,^{Benny Goodman}^,^{Buddy Rich}^,^{Tommy Dorsey}^,^{Jimmy Dorsey}^,^{Gene Krupa}^,^{Joe Venuti}^,^{Freddie Slack}^,^{Eddie Heywood}^,^{Bob Crosby}^{(Bing's brother),}^{Desi Arnaz}^,^{Guy Lombardo}^,^{Les Brown}^,^{Bunny Berigan}^,^{Xavier Cugat}^,^{Paul Whiteman}^,^{Ted Lewis}^,^{Nelson Riddle}^{and mood-master}^{Gordon Jenkins}^{, whose orchestra and chorus accompanied them on such successful soft and melancholy renditions as "}^{I Can Dream, Can't I}^{?" (which shot to number one on}^Billboard^{and remained in the}^{Top 10}^{for 25 weeks), "}^{I Wanna Be Loved}^{", "}^{There Will Never Be Another You}^{", and the inspirational "}^{The Three Bells}^{" (the first recorded English version of the}^French^{composition), as well as several solo recordings with Patty, including a cover version of}^{Nat "King" Cole}^{'s "}^{Too Young}^{", "}^{It Never Entered My Mind}^{", "}^{If You Go}^{", and "}^{That's How A Love Song Is Born}^".

^{Boogie Woogie Bugle Boy}^{can be considered an early recording of}^{rhythm and blues}^or^{jump blues}^.

^{Many styles}

^{While the sisters specialized in}^swing^,^{boogie-woogie}^{, and novelty hits with their trademark lightning-quick vocal syncopations, they also produced major hits in}^jazz^,^ballads^,^folk^,^{country-western}^{, seasonal, and}^religious^{titles, being the first Decca artists to record an album of}^gospel^{standards in 1950. Their versatility allowed them to pair with many different artists in the recording studios, producing}^{Top 10}^{hits with the likes of}^{Bing Crosby}^{(the only recording artist of the 1940s to sell more records than The Andrews Sisters),}^{Danny Kaye}^,^{Dick Haymes}^,^{Carmen Miranda}^,^{Al Jolson}^,^{Ray McKinley}^,^{Burl Ives}^,^{Ernest Tubb}^,^{Red Foley}^,^{Dan Dailey}^,^{Alfred Apaka}^{, and}^{Les Paul}^{. In personal appearances, on radio and on television, they sang with everyone from}^{Rudy Vallee}^,^{Judy Garland}^and^{Nat "King" Cole}^to^{Jimmie Rodgers}^,^{Andy Williams}^{, and}^{The Supremes}^.

^Movies

^{Maxene, Patty, and LaVerne appeared in 15 Hollywood films. Their first picture,}^{Argentine Nights}^{, paired them with another enthusiastic trio, the}^{Ritz Brothers}^.^[8]^{Universal Pictures}^{, always budget-conscious, refused to hire a choreographer, so the Ritzes taught the sisters some eccentric steps. Thus, in}^{Argentine Nights}^{and the sisters' next film,}^{Buck Privates}^{, the Andrews Sisters dance like the Ritz Brothers.}

^{Buck Privates}^{, with}^{Abbott and Costello}^{, featured the Andrews Sisters' best-known song, "}^{Boogie Woogie Bugle Boy}^{". This Don Raye-Hughie Prince composition was nominated for}^{Best Song}^{at the 1941}^{Academy Awards}^{ceremony. In 2001, the song was voted #6 on a list of 365 entries for}^{Songs of the Century}^{, having also returned to popularity via a}¹⁹⁷³^{rendition by}^{Bette Midler}^.

^Universal^{hired the sisters for two more Abbott & Costello comedies, and then promoted them to full-fledged stardom in B musicals.}^{What's Cookin',}^{Private Buckaroo,}^and^{Give Out, Sisters}^{(the latter portraying the sisters as old ladies) were among the team's popular full-length films.}

^{The Andrews Sisters have a specialty number in the all-star revue}^{Hollywood Canteen}^{(1944). They can be seen singing "}^{You Don't Have to Know the Language}^{" with}^{Bing Crosby}^{in Paramount's}^{Road to Rio}^with^{Bob Hope}^{, that year's highest-grossing movie. Their singing voices are heard in two full-length}^{Walt Disney}^{features ("}^{Make Mine Music}^"^[9]^{which featured}^{Johnny Fedora & Alice Blue Bonnet}^{, and "}^{Melody Time}^{", which introduced}^{Little Toot}^{, both of which are available on}^DVD^today).

^{Stage and radio shows}

^{The Andrews Sisters were the most sought-after entertainment property in theater shows worldwide during the 1940s and early 1950s, always topping previous house averages. Blonde Patty, brunette Maxene and redhead LaVerne headlined at the}^{London Palladium}^{in 1948 and 1951 to sold-out crowds. They hosted their own radio shows for}^ABC^&^CBS^{from 1944–1951, singing specially-written commercial jingles for such products as}^Wrigley's^{chewing gum}^,^Dole^pineapples,^Nash^{motor cars,}^Kelvinator^{home appliances,}^Campbell's^{soups, and}^{Franco-American}^{food products.}

^{Setting records}

^{They recorded 47 songs with crooner}^{Bing Crosby}^{, 23 of which charted on}^Billboard^{, thus making the team one of the most successful pairings of acts in a recording studio in}^{show business}^{history. Their million-sellers with Crosby included "}^{Pistol Packin' Mama}^{", "}^{Don't Fence Me In}^{", "}^{South America, Take It Away}^{", and "}^{Jingle Bells}^{", among other yuletide favorites.}

^{The sisters' popularity was such that after the war they discovered some of their records had actually been smuggled into}^Germany^{after the labels had been changed to read "}^Hitler^{'s Marching Songs". Their recording of}^{Bei Mir Bist Du Schön}^{became a favorite of the}^Nazis^{, until it was discovered that the song's composers were of}^Jewish^{descent. Still, it did not stop}^{concentration camp}^{inmates from secretly singing it, this is most likely since the song was originally a Yiddish song "}^{Bei Mir Bistu Shein}^{", and had been popularized within the Jewish community before it was recorded as a more successful "cover" version by the Andrews sisters.}

^{Along with}^{Bing Crosby}^{, separately and jointly, The Andrews Sisters were among the performers who incorporated}^ethnic^{music styles into America's}^{Hit Parade}^{, popularizing or enhancing the popularity of songs with melodies originating in}^Israel^,^Italy^,^Spain^,^France^,^Ireland^,^{Czechoslovakia}^,^Russia^,^Sweden^,^Brazil^,^Mexico^{, and}^Trinidad^{, many of which their manager chose for them.}

^{The Andrews Sisters became the best-selling female vocal group in the history of popular music, setting records that remain unsurpassed to this day:}

^{between 75-100 million records sold from a little over 600 recorded tunes}
^{113 charted}^Billboard^{hits, 46 reaching}^{Top 10}^{status (more than}^{Elvis Presley}^{or the}^Beatles⁾
¹⁷^Hollywood^{films (more than any other singing group in}^{motion picture}^history)
^{record-breaking theater and cabaret runs all across}^America^{and Europe;}
^{countless appearances on radio shows from 1935 to 1960 (including their own)}
^{guest spots on every major television show of the 1950s and 1960s, including those hosted by}^{Ed Sullivan}^,^{Milton Berle}^,^{Perry Como}^,^{Frank Sinatra}^,^{Dean Martin}^,^{Sammy Davis, Jr.}^.,^{Johnny Carson}^,^{Joey Bishop}^,^{Art Linkletter}^{, and}^{Jimmy Dean}^.

^{Early comparative female harmony trio's were the}^{Boswell Sisters}^{, the}^{Pickens Sisters}^{, and the}^{Three X Sisters}^.

^Repertoire

^{Hit records}

^{YearSingleChart positions}^US ^US

^R&B^{US Country}^1938"^{Bei Mir Bist Du Schoen}^"1--"^{Nice Work If You Can Get It}^{"12--"Joseph, Joseph"18--"Ti-Pi-Pin"12--"}^{Shortenin' Bread}^{"16--"Says My Heart"10--"Tu-li-Tulip Time"9--"Sha-Sha"17--"Lullaby To a Jitterbug"10--1939"Pross-Tchai (Goodbye)"15--"}^{Hold Tight, Hold Tight}^{"2--"You Don't Know How Much You Can Suffer"14--"}^{Beer Barrel Polka}^{(Roll Out the Barrel)"4--"}^{Well All Right}^{(Tonight's the Night)"5--"}^Ciribiribin^{(They're So In Love)"(with Bing Crosby)13--"Yodelin' Jive"(with Bing Crosby)4--"Chico's Love Song"11--1940"Say Si Si (Para Vigo Me Voy)"4--"}^{The Woodpecker Song}^{"6--"Down By the O-Hi-O"21--"Rhumboogie"11--"Ferryboat Serenade"1--"Hit the Road"27--"Beat Me, Daddy, Eight To the Bar"2--1941"Scrub Me, Mama, With a Boogie Beat"10--"Boogie Woogie Bugle Boy"6--"I Yi, Yi, Yi, Yi (I Like You Very Much)"11--"(I'll Be With You) In Apple Blossom Time"5--"Aurora"10--"Sonny Boy"22--"The Nickel Serenade"22--"Sleepy Serenade"22--"I Wish I Had a Dime (For Every Time I Missed You)"20--"Jealous"12--1942"The Shrine of St. Cecilia"3--"I'll Pray For You"22--"Three Little Sisters"8--"Don't Sit Under the Apple Tree"16--"Pennsylvania Polka"17--"That's the Moon, My Son"18--"Mister Five By Five"14--"Strip Polka"6--"Here Comes the Navy"17--1943"East of the Rockies"18--"}^{Pistol Packin' Mama}^{"(with Bing Crosby)231"Victory Polka"(with Bing Crosby)5--"}^{Jingle Bells}^{"(with Bing Crosby)19--"Shoo-Shoo Baby"1--1944"Down In the Valley"20--"Straighten Up and Fly Right"8--"}^{Tico Tico}^{"24--"Sing a Tropical Song"24--"Is You Is Or Is You Ain't My Baby"(with Bing Crosby)2--"A Hot Time In the Town of Berlin"(with Bing Crosby)1--"}^{Don't Fence Me In}^{"(with Bing Crosby)19-1945"}^{Rum and Coca Cola}^"13-"^{Accentuate the Positive}^{"(with Bing Crosby)2--"}^{The Three Caballeros}^{"(with Bing Crosby)8--"One Meat Ball"15--"Corns For My Country"21--"Along the Navajo Trail"(with Bing Crosby)2--"The Blond Sailor"8--1946"Money Is the Root of All Evil"9--"Patience and Fortitude"12--"Coax Me a Little Bit"24--"South America, Take It Away"(with Bing Crosby)2--"Get Your Kicks On Route 66"(with Bing Crosby)14--"I Don't Know Why"17--"House of Blue Lights"15--"Rumors Are Flying"(with Les Paul)4--"}^{Winter Wonderland}^{"(with Guy Lombardo)22--"Christmas Island"(with Guy Lombardo)7--1947"Tallahassee"(with Bing Crosby)10--"}^{There's No Business Like Show Business}^{"(with Bing Crosby and Dick Haymes)25--"On the Avenue"21--"Near You"2--"The Lady From 29 Palms"7--"The Freedom Train"(with Bing Crosby)21--"Civilization (Bongo, Bongo, Bongo)"(with Danny Kaye)3--"}^{Jingle Bells}^{"(with Bing Crosby)(re-entry)21--"Santa Claus Is Comin' To Town"(with Bing Crosby)22--"Christmas Island"(with Guy Lombardo)(re-entry)20--"Your Red Wagon"24--"How Lucky You Are"22--1948"You Don't Have To Know the Language"(with Bing Crosby)21--"Teresa"(with Dick Haymes)21--"Toolie Oolie Doolie (The Yodel Polka)"3--"I Hate To Lose You"14--"Heartbreaker"21--"Sabre Dance"20--"}^{Woody Woodpecker}^{"(with Danny Kaye)18--"Blue Tail Fly"(with Burl Ives)24--"Underneath the Arches"5--"You Call Everybody Darling"8--"Cuanto La Gusta"(with Carmen Miranda)12--"160 Acres"(with Bing Crosby)23--"Bella Bella Marie"23--1949"Christmas Island"(with Guy Lombardo)(re-entry)26--"The Pussy Cat Song (Nyow! Nyot! Nyow!)"(Patty Andrews w/Bob Crosby)12--"More Beer!"30--"I'm Bitin' My Fingernails and Thinking of You"(with Ernest Tubb)30-2"Don't Rob Another Man's Castle"(with Ernest Tubb)--6"}^{I Can Dream, Can't I?}^{"1--"The Wedding of Lili Marlene"20--"She Wore a Yellow Ribbon"(with Russ Morgan)22--"Charley, My Boy"(with Russ Morgan)15--1950"Merry Christmas Polka"(with Guy Lombardo)18--"Have I Told You Lately That I Love You"(with Bing Crosby)24--"Quicksilver"(with Bing Crosby)6--"The Wedding Samba"(with Carmen Miranda)23--"I Wanna Be Loved"1--"Can't We Talk It Over"22--"A Bushel and a Peck"22--1951"A Penny a Kiss, a Penny a Hug"17--"Sparrow In the Tree Top"(with Bing Crosby)8--"Too Young"(Patty Andrews)19--1955"Suddenly There's a Valley"(Patty Andrews)69--}

^{Other songs}

^{Highest chart positions on Billboard; with}^{Vic Schoen}^{& his orchestra, unless otherwise noted:}

^"^{Nice Work if You Can Get It}^{" (charted 1938) (#12)}
^"^{Joseph! Joseph!}^{" (1938) (#18)}
^"^Ti-Pi-Tin^{" (1938) (#12)}
^"^{Shortenin' Bread}^{" (1938) (#16)}
^"^{Says My Heart}^{" (1938) (#10)}
^"^{Tu-Li-Tulip Time}^{" (with}^{Jimmy Dorsey}^{& his orchestra) (1938) (#9)}
^"^Sha-Sha^{" (with}^{Jimmy Dorsey}^{& his orchestra)(1938) (#17)}
^"^{Lullaby to a Jitterbug}^{" (1938) (#10)}
^"^{Pross Tchai (Goodbye-Goodbye)}^{" (1939) (#15)}
^"^{You Don't Know How Much You Can Suffer}^{" (1939) (#14)}
^"^{Ciribiribin (They're So in Love)}^{" (with}^{Bing Crosby}^&^{Joe Venuti}^{& his orchestra) (1939) (#13)}
^"^{Chico's Love Song}^{" (1939) (#11)}
^"^{The Woodpecker Song}^{" (1940) (#6)}
^"^{Down By the O-HI-O}^{" (1940) (#21)}
^"^Rhumboogie^{" (1940) (#11)}
^"^{Hit the Road}^{" (1940) (#27)}
^"^{Scrub Me Mama with a Boogie Beat}^{" (1940) (#10)}
^"^{I Yi, Yi, Yi, Yi (I Like You Very Much)}^{" (1941) (#11)}
^"^Aurora^{" (1941) (#10)}
^"^{Sonny Boy}^{" (1941) (#22)}
^"^{The Nickel Serenade}^{" (1941) (#22)}
^"^{Sleepy Serenade}^{" (1941) (#22)}
^"^{I Wish I Had a Dime (For Ev'rytime I Missed You)}^{" (1941) (#20)}
^"^Jealous^{" (1941) (#12)}
^"^{I'll Pray For You}^{" (1942) (#22)}
^"^{Three Little Sisters}^{" (1942) (#8)}
^"^{Pennsylvania Polka}^{" (1942) (#17)}
^"^{That's the Moon, My Son}^{" (1942) (#18)}
^"^{Mister Five By Five}^{" (1942) (#14)}
^"^{Strip Polka}^{" (1942) (#6)}
^"^{Here Comes the Navy}^{" (1942) (#17)}
^"^{East of the Rockies}^{" (1943) (#18)}
^"^{Down in the Valley (Hear that Train Blow)}^{" (1944) (#20)}
^"^{Straighten Up and Fly Right}^{" (1944) (#8)}
^"^{Sing a Tropical Song}^{" (1944) (#24)}
^"^{Tico-Tico no Fubá}^{" (1944) (#24)}
^"^{Corns for My Country}^{" (1945) (#21)}
^"^{The Three Caballeros}^{" (with}^{Bing Crosby}^{) (1945) (#8)}
^"^{One Meat Ball}^{" (1945) (#15)}
^"^{The Blond Sailor}^{" (1945) (#8)}
^"^{Money Is the Root of All Evil (Take it Away, Take it Away, Take it Away)}^{" (with}^{Guy Lombardo}^{& his}^{Royal Canadians}^{) (1946) (#9)}
^"^{Patience and Fortitude}^{" (1946) (#12)}
^"^{Coax Me a Little Bit}^{" (1946) (#24)}
^"^{Get Your Kicks on Route 66}^{" (with}^{Bing Crosby}^{) (1946) (#14)}
^"^{I Don't Know Why (I Just Do)}^{" (1946) (#17)}
^"^{The House of Blue Lights}^{" (with}^{Eddie Heywood}^{& his orchestra) (1946) (#15)}
^"^{Winter Wonderland}^{" (with}^{Guy Lombardo}^{& his}^{Royal Canadians}^{) (1946) (#22)}
^"^{Christmas Island}^{" (with}^{Guy Lombardo}^{& his}^{Royal Canadians}^{) (1946: #7; 1947: #20; 1949: #26)}
^"^Tallahassee^{" (with}^{Bing Crosby}^{) (1947) (#10)}
^"^{There's No Business Like Show Business}^{" (with}^{Bing Crosby}^&^{Dick Haymes}^{) (1947) (#25)}
^"^{On the Avenue}^{" (with}^{Carmen Cavallaro}^{at the piano) (1947) (#21)}
^"^{The Lady from 29 Palms}^{" (1947) (#7)}
^"^{The Freedom Train}^{" (1947) (#21)}
^"^{Your Red Wagon}^{" (1947) (#24)}
^"^{How Lucky You Are}^{" (1947) (#22)}
^"^{You Don't Have to Know the Language}^{" (with}^{Bing Crosby}^{) (1948) (#21)}
^"^Teresa^{" (with}^{Dick Haymes}^{) (1948) (#21)}
^"^Heartbreaker^{" (with}^{The Harmonica Gentlemen}^{) (1948) (#21)}
^"^{(Everytime They Play the) Sabre Dance}^{" (with}^{The Harmonica Gentlemen}^{) (1948) (#20)}
^"^{I Hate to Lose You}^{" (1948) (#14)}
^"^{The Woody Woodpecker Song}^{" (with}^{Danny Kaye}^&^{The Harmonica Gentlemen}^{) (1948) (#18)}
^"^{The Blue Tail Fly (Jimmy Crack Corn)}^{" (with}^{Burl Ives}^{, vocal & guitar accompaniment) (1948) (#24)}
^"^{You Call Everybody Darling}^{" (recorded in London with}^{Billy Ternant}^{& his orchestra) (1948) (#8)}
^"^{Cuanto La Gusta}^{" (with}^{Carmen Miranda}^{) (1948) (#12)}
^"^{A Hundred and Sixty Acres}^{" (with}^{Bing Crosby}^{) (1948) (#23)}
^"^{Bella Bella Marie}^{" (1948) (#23)}
^"^{More Beer!}^{" (1949) (#30)}
^"^{I'm Biting My Fingernails and Thinking of You}^{" (with}^{Ernest Tubb}^&^{The Texas Troubadors}^{directed by}^{Vic Schoen}^{) (1949) (#30)}
^"^{The Wedding of Lili Marlene}^{" (with}^{Gordon Jenkins}^{&; his orchestra & chorus) (1949) (#20)}
^"^{The Pussy Cat Song (Nyow! Nyot Nyow!)}^{" (Patty Andrews &}^{Bob Crosby}^{) (1949) (#12)}
^"^{She Wore a Yellow Ribbon}^{" (with}^{Russ Morgan}^{& his orchestra) (1949) (#22)}
^"^{Charley, My Boy}^{" (with}^{Russ Morgan}^{& his orchestra) (1949) (#15)}
^"^{Merry Christmas Polka}^{" (with}^{Guy Lombardo}^{& his}^{Royal Canadians}^{) (1950) (#18)}
^"^{Have I Told You Lately that I Love You?}^{" (with}^{Bing Crosby}^{) (1950) (#24)}
^"^Quicksilver^{" (with}^{Bing Crosby}^{) (1950) (#6)}
^"^{The Wedding Samba}^{" (with}^{Carmen Miranda}^{) (1950) (#23)}
^"^{Can't We Talk it Over?}^{" (with}^{Gordon Jenkins}^{& his orchestra & chorus) (1950) (#22)}
^"^{A Bushel and a Peck}^{" (1950) (#22)}
^"^{A Penny a Kiss-A Penny a Hug}^{" (1950) (#17)}
^"^{Sparrow in the Treetop}^{" (with}^{Bing Crosby}^{) (1951) (#8)}
^"^{Too Young}^{" (Patty Andrews with}^{Victor Young}^{& his orchestra) (1951) (#19)}
^"^Torero^"^Capitol^{F 3965 (recorded on March 31, 1958)}

^{Film and theatre}

^Filmography

^{Argentine Nights}^{(Universal Pictures, 1940)}
^{Buck Privates}^{(Universal Pictures, 1941)}
^{In the Navy}^{(Universal Pictures, 1941)}
^{Hold That Ghost}^{(Universal Pictures, 1941)}
^{What's Cookin'?}^{(Universal Pictures, 1942)}
^{Private Buckaroo}^{(Universal Pictures, 1942)}
^{Give Out, Sisters}^{(Universal Pictures, 1942)}
^{How's About It}^{(Universal Pictures, 1943)}
^{Always a Bridesmaid}^{(Universal Pictures, 1943)}
^{Swingtime Johnny}^{(Universal Pictures, 1943)}
^{Moonlight and Cactus}^{(Universal Pictures, 1944)}
^{Follow the Boys}^{(Universal Pictures, 1944)}
^{Hollywood Canteen}^{(Warner Brothers, 1944)}
^{Her Lucky Night}^{(Universal Pictures, 1945)}
^{Make Mine Music}^{(Walt Disney Studios, 1946)}
^{Road to Rio}^{(Paramount Pictures, 1947)}
^{Melody Time}^{(Walt Disney Studios, 1948)}
^{Brother, Can You Spare a Dime?}⁽¹⁹⁷⁵⁾
^Breach^{(background music) (2007)}

^Broadway

^{Over Here!}^!^{(1974; Shubert Theater, New York City, 9 months)}

^{In pop culture}

^{In one episode of}^{My Favorite Husband}^{Liz (}^{Lucille Ball}^{) claimed she was one of the Andrew Sisters, but she claimed she was their 'brother' Dana.}

^{In the 2nd Season of}^{Here's Lucy}^{, Patty guest stars in the episode "Lucy And The Andrews Sisters" where she,}^{Lucille Ball}^{(as LaVerne),}^{Lucie Arnaz}^{(as Maxene), and}^{Desi Arnaz Jr.}^{. (as}^{Bing Crosby}^{) re-create the Andrews Sisters sound for a dinner being held in Patty's honor by the Andrews Sisters Fan Club. Although they were to lip-synch to the Andrews Sisters records, Lucy ends up breaking them and they are forced to sing the songs live.}

^{The poet}^{Ogden Nash}^{included the following lines in his verses for the 'Birds' section of the}^{Carnival of the Animals}^{: "Suburban yards and rural vistas are filled with avian Andrews Sisters."}

^{Steven Spielberg}^{'s 1979 comedy film,}¹⁹⁴¹^{, features a}^parody^{of the Andrews Sisters, called "The Anderson Sisters."}

^{The band}^{Soul Coughing}^{samples the Andrews Sisters' "Don't Sit Under The Apple Tree" in the song "Down To This" (from their 1996 album}^{Ruby Vroom}⁾

^{The Andrew sisters appear as a trio in the 1997 remake of the film}^{The Shining}^{, originally written by}^{Stephen King}^.

^{In the episode “Flaming Forties” of Mama's Family the song of Boogie Woogie Bugle Boy is lip-synced by Vicki Lawrence, Dorothy Lyman, & Rue McClanahan as Thelma Harper, Naomi Harper and as Fran Crowley.}

^{In the sitcom "Step By Step" episode "Beauty Contest", Suzanne Somers and Angela Watson perform "Boogie Woogie Bugle Boy" as stepmother/stepdaughter during a bonding moment for a beauty pageant.}

^{In the episode "Next of Shin" from King of the Hill, Hank Hill goes looking for his father in Las Vegas, and sees an ad for the Andrew Sisters performing at a casino. Saying, "I didn't know they were still alive, they were my dad's favorite group" he goes to the show in search of his father. After the show, he talks to one of the "sisters" only to discover it was actually a "drag" show and the sisters were not sisters at all.}

^{In the 2005}^epic^{fantasy film}^{The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe}^{, the Andrews Sisters' rendition of "Oh Johnny, Oh!" is used while the Pevensie siblings are playing}^{hide-and-seek}^.

^{In the 2008 video Game}^{Fallout 3}^{(Xbox 360, PC, Playstation3) their song "Civilization" with Danny Kaye is featured on the soundtrack.}

^{The 2007 video game}^Bioshock^{uses the song "Bei Mir Bist Du Schön (Means You're Grand)" as background music during game play.}

^{In a 2005 episode of}^{Gilmore Girls}^entitled^{We've Got Magic to Do}^{, Rory organizes a World War II themed D.A.R. function featuring musical guests "The Andrews Sisters".}

^{In the beginning of the film called}^{Kit Kittredge: An American Girl}^{, the Andrews Sisters perform a song called "Side By Side".}

^{The 2007 movie}^Breach^{that tells the true story of the worst breach in the United States of America's national intelligence and secrets, Robert Hanssen requested to listen to the Andrews Sisters when his assistant asked him what would he like to listen on the car radio.}

^{As Muppets}

^{They were parodied on "Sesame Street" as the Androoze Sisters, named Mayeeme (Audrey Smith), Pattiz (}^{Maeretha Stewart}^{), and Lavoorrnee (}^{Kevin Clash}^).

^{Awards and recognition}

^{The Andrews Sisters were inducted into the}^{Vocal Group Hall of Fame}^{in 1998.}

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

LITTLE MISS SUNSHINE · July 26, 2010

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